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From Album: Armfield Maxwell
Matching descriptions:
MAXWELL ARMFIELD RWS
1882 - 1972
The Actress, Sunday Wilshin 1930
Tempera on panel
Signed, dated & numbered OP. 93 lower left
24 x 14 1/2 ins 61 x 37 cms
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| Provenance: |
The artist¹s until 1967
M. Martin
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| Exhibited: |
Royal Academy, London, 1930, no.893
art Exhibitions Bureau, London, 1930, no.4
Arlington Gallery, New York, 1938 |
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From Album: Armitage Kenneth
KENNETH ARMITAGE 1916 - 2001
KEYWORDS:
KENNETH ARMITAGE
1916 - 2001
Children with Birds 1949
Oil on canvas
Initialled & dated lower left
25 x 33 ins 63.5 x 84 cms
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| Provenance: |
The artist¹s estate
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Matching descriptions:
Children with Birds 1949
Oil on canvas
Initialled & dated lower left
25 x 33 ins 63.5 x 84 cms
Provenance:
The artist’s estate
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From Album: Brooker William
Still Life 1960
KEYWORDS: Available
2
Still Life – White Oil Lamp & Jug
1960
oil on canvas
25 x 30 in / 63.4 x 76.1 cm
signed & dated lower left
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Matching descriptions:
2
oil on canvas
25 x 30 in / 63.4 x 76.1 cm
signed & dated lower left
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
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From Album: Brooker William
Milos 1962
KEYWORDS: Available
3
oil on canvas
30 x 40 in / 76.1 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, arthur Tooth
& Sons Ltd, London, 16 October – 10 November 1962, no.10
William Brooker Paintings 1952-1968, arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 49
William Brooker: Paintings 1950-1983, Polytechnic Gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983,
no. 29 (illustrated p.21)
Matching descriptions:
3
oil on canvas
30 x 40 in / 76.1 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, arthur Tooth
& Sons Ltd, London, 16 October – 10 November 1962, no.10
William Brooker Paintings 1952-1968, arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 49
William Brooker: Paintings 1950-1983, Polytechnic Gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983,
no. 29 (illustrated p.21)
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From Album: Brooker William
White Still Life
KEYWORDS: Available
4
Blue Bottle & Gauloises Packet 1966
oil on canvas
40 x 40 in / 101.6 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, arthur Tooth
& Sons Ltd, London, 29 March – 22 April 1967, no.10
William Brooker Paintings 1952 -1968, arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 37
Matching descriptions:
4
Blue Bottle & Gauloises Packet 1966
oil on canvas
40 x 40 in / 101.6 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, arthur Tooth
& Sons Ltd, London, 29 March – 22 April 1967, no.10
William Brooker Paintings 1952 -1968, arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 37
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From Album: Brooker William
Hydra 1962
KEYWORDS: Available
5
oil on canvas
30 x 40 in / 76.1 x 101.6 cm
signed & dated lower left
Provenance
arthur Tooth & Sons, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, arthur Tooth & Sons Ltd,
London, 16 October – 10 November 1962, no. 9
Matching descriptions:
5
oil on canvas
30 x 40 in / 76.1 x 101.6 cm
signed & dated lower left
Provenance
arthur Tooth & Sons, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, arthur Tooth & Sons Ltd,
London, 16 October – 10 November 1962, no. 9
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From Album: Brooker William
White Bottles ...
KEYWORDS: Available
6
White Bottles with Black Tin
1966
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, arthur Tooth
& Sons Ltd, London, 29 March – 22 April 1967, no. 7 (illustrated)
William Brooker Paintings 1952-1968, arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 4 (illustrated)
Norfolk Contemporary art Society Exhibition, Castle Museum,
Norwich, October 1981, no. 9
Matching descriptions:
6
White Bottles with Black Tin
1966
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, arthur Tooth
& Sons Ltd, London, 29 March – 22 April 1967, no. 7 (illustrated)
William Brooker Paintings 1952-1968, arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 4 (illustrated)
Norfolk Contemporary art Society Exhibition, Castle Museum,
Norwich, October 1981, no. 9
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From Album: Brooker William
Zakynthos 1964
KEYWORDS: Available
7
oil on canvas
30 x 24 in / 76.1 x 61 cm
Provenance
arthur Tooth & Sons Ltd, London
Waddington’s Galleries, London
Exhibited
William Brooker, arthur Tooth & Sons Ltd, London, 29
September – 17 October 1964, no. 4
Matching descriptions:
7
oil on canvas
30 x 24 in / 76.1 x 61 cm
Provenance
arthur Tooth & Sons Ltd, London
Waddington’s Galleries, London
Exhibited
William Brooker, arthur Tooth & Sons Ltd, London, 29
September – 17 October 1964, no. 4
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From Album: Brooker William
Patmos 1964
KEYWORDS: Available
10
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Waddington’s Galleries, London
Exhibited
William Brooker, arthur Tooth & Sons Ltd, London
29 September – 17 October 1964, no. 9
Matching descriptions:
10
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Waddington’s Galleries, London
Exhibited
William Brooker, arthur Tooth & Sons Ltd, London
29 September – 17 October 1964, no. 9
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From Album: Brooker William
Rhodos 1964
KEYWORDS: Available
11
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker, arthur Tooth & Sons Ltd, London,
29 September – 17 October 1964, no. 9
William Brooker Paintings 1952-1968, arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 43
William Brooker: Paintings 1950 -1983, Polytechnic Gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983, no.12
Matching descriptions:
11
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker, arthur Tooth & Sons Ltd, London,
29 September – 17 October 1964, no. 9
William Brooker Paintings 1952-1968, arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 43
William Brooker: Paintings 1950 -1983, Polytechnic Gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983, no.12
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From Album: Brooker William
For Giuseppe ...
KEYWORDS: Available
13
For Giuseppe Abbati 1836 – 68
1964
oil on canvas
40 x 50 in / 101.6 x 127 cm
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker, arthur Tooth & Sons Ltd, London,
29 September – 17 October 1964, no. 2
Matching descriptions:
13
For Giuseppe Abbati 1836 – 68
1964
oil on canvas
40 x 50 in / 101.6 x 127 cm
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker, arthur Tooth & Sons Ltd, London,
29 September – 17 October 1964, no. 2
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From Album: Brooker William
Requiem 1972 – 73
KEYWORDS: Available
14
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – Recent Paintings, London, arthur Tooth & Sons Ltd,
London, 8 July – 1 August 1975, no. 7 (illustrated)
Matching descriptions:
14
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – Recent Paintings, London, arthur Tooth & Sons Ltd,
London, 8 July – 1 August 1975, no. 7 (illustrated)
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From Album: Brooker William
Thira 1962
KEYWORDS: Available
16
Thira
1962
oil on canvas
201/2 x 24 in / 51.4 x 61 cm
signed & dated lower left
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Waddington’s Galleries, London
Exhibited
William Brooker: Paintings 1950 -1983, Polytechnic Gallery, Newcastle-upon-Tyne,
20 May – 19 June 1987, travelling to Thomas Agnew & Sons Ltd,
London, 23 June – 17 July 1983, no. 31
Matching descriptions:
16
oil on canvas
201/2 x 24 in / 51.4 x 61 cm
signed & dated lower left
also signed, titled & dated verso
Provenance
arthur Tooth & Sons Ltd, London
Waddington’s Galleries, London
Exhibited
William Brooker: Paintings 1950 -1983, Polytechnic Gallery, Newcastle-upon-Tyne,
20 May – 19 June 1987, travelling to Thomas Agnew & Sons Ltd,
London, 23 June – 17 July 1983, no. 31
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From Album: Burra Edward
KEYWORDS: Available
Available
EDWARD BURRA ARA
1905 - 1976
Fountain c.1930
Watercolour on paper
Signature stamp lower right
22 x 31 ins 56 x 79 cms
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| Provenance: |
The artist¹s estate
Lefevre Gallery, London
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Matching descriptions:
EDWARD BURRA ARA
1905 - 1976
Fountain c.1930
Watercolour on paper
Signature stamp lower right
22 x 31 ins 56 x 79 cms
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| Provenance: |
The artist¹s estate
Lefevre Gallery, London
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From Album: Burra Edward
KEYWORDS:
EDWARD BURRA ARA
1905 - 1976
Clothes Shop 1931-2
Pencil on paper
Signature stamp lower left
24 x 19 1/2 ins 61 x 49.5 cms
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| Verso: |
Civil War |
| Exhibited: |
Hayward Gallery, London, Retrospective, 1985, no.51
arts Council, Touring Exhibition: Edward Burra: Drawings from
the 1920¹s & 1930¹s, 1993, no.19, illus. |
Matching descriptions:
EDWARD BURRA ARA
1905 - 1976
Clothes Shop 1931-2
Pencil on paper
Signature stamp lower left
24 x 19 1/2 ins 61 x 49.5 cms
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| Verso: |
Civil War |
| Exhibited: |
Hayward Gallery, London, Retrospective, 1985, no.51
arts Council, Touring Exhibition: Edward Burra: Drawings from
the 1920¹s & 1930¹s, 1993, no.19, illus. |
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From Album: Gore Spencer Frederick NEAC, LG
SPENCER FREDERICK GORE NEAC, LG
1878 - 1914
KEYWORDS: SPENCER FREDERICK GORE NEAC, LG
1878 - 1914
Sunset, Letchworth Man and dog 1912
Oil on canvas
Signed lower right; titled, inscribed & dated verso
20 x 24 ins 51 x 61 cms
Provenance: Alexander Gregory-Hood
Exhibited: Carfax Gallery, London, 1913, no.17
Redfern Gallery, London, 1962, no.60
Anthony d’Offay Gallery, London, 1983, no.23
Royal Academy, British art in the Twentieth Century
London 1987, no.10, illus.
Matching descriptions:
Sunset, Letchworth Man and dog 1912
Oil on canvas
Signed lower right; titled, inscribed & dated verso
20 x 24 ins 51 x 61 cms
Provenance:
Alexander Gregory-Hood
Exhibited:
Carfax Gallery, London, 1913, no.17
Redfern Gallery, London, 1962, no.60
Anthony d’Offay Gallery, London, 1983, no.23
Royal Academy, British art in the Twentieth Century, London 1987, no.10, illus.
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From Album: Hilton Roger CBE
KEYWORDS: Available
ROGER HILTON CBE
1911 - 1975
Long Black 1956
Oil on canvas
Inscribed, titled & dated verso
8 x 24 ins 20.25 x 61 cms
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| Provenance: |
The artist¹s estate
Waddington Galleries, London |
Matching descriptions:
ROGER HILTON CBE
1911 - 1975
Long Black 1956
Oil on canvas
Inscribed, titled & dated verso
8 x 24 ins 20.25 x 61 cms
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| Provenance: |
The artist¹s estate
Waddington Galleries, London |
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From Album: Hitchens Ivon
John By Jordan no2 1942
KEYWORDS: Sold
John by Jordan no 2 1942 Signed lower right Signed dated & inscribed on stretcher label Oil on canvas 29 1/4 x 16 1/4 in : 74 x 41 cm
Exhibited Leicester Galleries August 1944 no 132 Tate Gallery Retrospective 1963 no 29
In August 1940 Hitchens’ studio at 169 Adelaide Road, Hampstead was damaged by a bomb. He and his wife, together with John, their four-month-old son, moved permanently to Lavington Common, near Petworth in West Sussex, where at first they lived in a caravan which they had bought the year before.
‘Jordan’ was the name of a tin bath, stowed under the caravan when not in use, and the group of John by Jordan paintings are intimate portraits of mother and baby son. The life they depict is one of peace and primal innocence in a sunlit forest glade. Both the subject and its treatment – rich colour and bold brushmarks – express a joyful affirmation in the completest contrast to the anxiety and deprivation of wartime.
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From Album: Minton John
KEYWORDS:
Available
JOHN MINTON RBA, LG
1917 - 1957
Road to the Sea 1943
Watercolour, gouache, pen & ink on paper
Signed & dated top left
20 x 24 ins 51 x 61 cms
Verso:Neo Romantic landscape
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| Exhibited: |
Alex Reid & Lefevre, London, 1944 arts Council, John Minton , 1958, no.37
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Matching descriptions:
JOHN MINTON RBA, LG
1917 - 1957
Road to the Sea 1943
Watercolour, gouache, pen & ink on paper
Signed & dated top left
20 x 24 ins 51 x 61 cms
Verso:Neo Romantic landscape
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| Exhibited: |
Alex Reid & Lefevre, London, 1944 arts Council, John Minton , 1958, no.37
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From Album: Nicholson Ben OM
KEYWORDS: Available
BEN NICHOLSON OM
1894 - 1982
Green Chisel 1955
Oil & pencil on canvas
Signed, titled & dated verso
24 x 24 ins 61 x 61 cms
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| Provenance: |
Dartington Hall Trust, Devon
Waddington Galleries, London
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| Literature: |
Herbert Read, Ben Nicholson, Lund Humphries, London 1956, vol 2, no.44, illus. Norbert Lynton, Ben Nicholson, Phaidon, London 1993, no.276, illus.
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Matching descriptions:
BEN NICHOLSON OM
1894 - 1982
Green Chisel 1955
Oil & pencil on canvas
Signed, titled & dated verso
24 x 24 ins 61 x 61 cms
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| Provenance: |
Dartington Hall Trust, Devon
Waddington Galleries, London
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| Literature: |
Herbert Read, Ben Nicholson, Lund Humphries, London 1956, vol 2, no.44, illus. Norbert Lynton, Ben Nicholson, Phaidon, London 1993, no.276, illus.
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From Album: Nicholson Sir William
KEYWORDS: Available
SIR WILLIAM NICHOLSON NPS
1872 - 1949
Flowers & Gloves 1909
Oil on canvas
Signed & dated lower right; signed on stretcher verso
255/8 x 21 3/8 ins 65 x 54 cms
Provenance: Hugh Beaumont
Sir John Gielgud
Exhibited: Alex Reid & Lefevre, London
Fischer Fine art, London
Literature: Lillian Browse, William Nicholson,
Rupert Hart Davis,1956, no.145
Matching descriptions:
SIR WILLIAM NICHOLSON NPS
1872 - 1949
Flowers & Gloves 1909
Oil on canvas
Signed & dated lower right; signed on stretcher verso
255/8 x 21 3/8 ins 65 x 54 cms
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| Provenance: |
Hugh Beaumont
Sir John Gielgud
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| Exhibited: |
Alex Reid & Lefevre, London
Fischer Fine art, London
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| Literature: |
Lillian Browse, William Nicholson,
Rupert Hart Davis,1956, no.145
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From Album: Piper John
KEYWORDS:
JOHN PIPER LG, CH
1903 - 92
Dungeness Girls 1933
Oil on canvas
Signed lower left
30 x 20 ins 76 x 51 cms
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| Exhibited: |
Zwemmer Gallery, 1934
arts Council, British art and the Modern Movement,
National Museum of Wales, Cardiff, 1962, no.26
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| Literature: |
Anthony West, John Piper, 1979, no.14 illus. |
Matching descriptions:
JOHN PIPER LG, CH
1903 - 92
Dungeness Girls 1933
Oil on canvas
Signed lower left
30 x 20 ins 76 x 51 cms
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| Exhibited: |
Zwemmer Gallery, 1934
arts Council, British art and the Modern Movement,
National Museum of Wales, Cardiff, 1962, no.26
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| Literature: |
Anthony West, John Piper, 1979, no.14 illus. |
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From Album: Sickert Walter Richard
WALTER RICHARD SICKERT, A.R.A
1860-1942
KEYWORDS: Available
WALTER RICHARD SICKERT, A.R.A
1860-1942
Santa Maria della Salute c.1901
Signed lower right
Oil on panel
10 x 8 ins / 25.4 x 20.3 cm
Provenance:
Dr. Robert Emmons;
Edward Le Bas;
Raymond Mortimer
Exhibited:
Leicester Galleries, London, June 1929, no. 49;
Agnews, London, Paintings & Drawings by Sickert
from the Collection of Robert Emmons, 1947, no. 64;
Royal Academy, London, A Painter’s Collection, 1963, no. 142;
Fine art Society, London, Sickert Loan Exhibition, May – June 1973,
no.38, touring to Edinburgh, June 1973.
Literature:
A. Bertram, Sickert, London & New York, 1955, pl. 13;
W. Baron, Sickert, London, 1973, pp. 63 & 326
Matching descriptions:
Santa Maria della Salute c.1901
Signed lower right
Oil on panel
10 x 8 ins / 25.4 x 20.3 cm
Provenance:
Dr. Robert Emmons;
Edward Le Bas;
Raymond Mortimer
Exhibited:
Leicester Galleries, London, June 1929, no. 49;
Agnews, London, Paintings & Drawings by Sickert
from the Collection of Robert Emmons, 1947, no. 64;
Royal Academy, London, A Painter’s Collection, 1963, no. 142;
Fine art Society, London, Sickert Loan Exhibition, May – June 1973,
no.38, touring to Edinburgh, June 1973.
Literature:
A. Bertram, Sickert, London & New York, 1955, pl. 13;
W. Baron, Sickert, London, 1973, pp. 63 & 326
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From Album: Tilson Joe ARCA RA
KEYWORDS: Available
JOE TILSON ARCA RA
b.1928
1234567890 Obelisk 1963
Oil on wooden construction
40 1/2 x 8 x 3 ins 103 x 20.5 x 7.25 cms
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| Exhibited: |
Marlborough Gallery, London, 1964
Waddington Galleries, London, 1992 |
| Literature: |
arturo Quintavalle, Tilson,
Pre-art, Milan, 1977, p.202
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Matching descriptions:
JOE TILSON ARCA RA
b.1928
1234567890 Obelisk 1963
Oil on wooden construction
40 1/2 x 8 x 3 ins 103 x 20.5 x 7.25 cms
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| Exhibited: |
Marlborough Gallery, London, 1964
Waddington Galleries, London, 1992 |
| Literature: |
arturo Quintavalle, Tilson,
Pre-art, Milan, 1977, p.202
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From Album: Wells John
Matching descriptions:
1. Coastline – Scilly Isles c.1940
Watercolour on paper
Studio stamped
Traces of inscription verso
51/2 x 9 ins 14 x 22.75 cms
Wells took up the post of doctor on the Scilly Isles in 1936. He
continued to paint in his spare time following evening classes at St
Martin’s School of art and his initial meeting with Ben and Winifred
Nicholson and Christopher Wood in Feock, Cornwall in 1928. He
read widely, subscribing to contemporary magazines such as Axis
and Horizon, and his work of this period suggests an affinity with
the biomorphic forms of Surrealism which he used in depictions
of his marine environment. These two studies, never previously
exhibited, explore the organic contours of his island existence.
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From Album: Wells John
Matching descriptions:
2. Sea & Rocks – Scilly Isles c.1940
Watercolour on paper
Studio stamped
51/2 x 9 ins 14 x 22.75 cms
Wells took up the post of doctor on the Scilly Isles in 1936. He
continued to paint in his spare time following evening classes at St
Martin’s School of art and his initial meeting with Ben and Winifred
Nicholson and Christopher Wood in Feock, Cornwall in 1928. He
read widely, subscribing to contemporary magazines such as Axis
and Horizon, and his work of this period suggests an affinity with
the biomorphic forms of Surrealism which he used in depictions
of his marine environment. These two studies, never previously
exhibited, explore the organic contours of his island existence.
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From Album: Wells John
Matching descriptions:
20
Untitled c.1953
Oil on canvas
Studio stamp verso
9 3/4 x 16 1/4 ins 25 x 41 cms
Following the upright compositions suggestive of soaring air currents
and gliding bird flight of the preceding few years, Wells began a
series of landscape format paintings in the mid 1950s that included
Vista1955 (Exh. Tate St. Ives, 1998, no. 38) which was awarded the
arts Critics Prize in 1957. These presented a patchwork of geometric
shapes, spread out across the composition in a manner suggestive of
an ancient field marking system in a landscape as seen from the air,
and often containing a skewed sense of perspective evoking a bird’s
eye view in motion. This work even incorporates a shaped canvas
to further disrupt the picture plane and enhance the feeling of
disorientation
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From Album: Wells John
Matching descriptions:
36
Painting 1976
Oil & pencil on board
Numbered 87/ 10, studio stamped & dated verso
12 x 16 ins 30.5 x 40.5 cms
The last painting in the exhibition illustrates Wells’ increasing
awareness of the development and consistency of his career.
Many of the forms used in this work, from the crescent shape in
the upper left, to the small drawn circle above it, refer back to his
war time constructivist works, whilst the coloured square within a
square to the lower right is drawn from more recently produced
work. All of this geometric visual language is combined with the
central, heavily textured area. This may be an earlier painting
reworked by the artist, a practice that dominated his late work
from the 1980s.
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From Album: Wynter Bryan 1915-1975
10. Volcanic 1959
KEYWORDS: available Bryan Wynter
10. Volcanic 1959
BW 038
Signed, titled & dated verso
Oil on canvas
Size: 28 ¼ x 17 1/8 ins
71.7 x 43.4 cms
Exhibited
Waddington Galleries, London, 1959, no. 36
Manchester City art Gallery, 1961, no. 22
Matching descriptions:
BW 038
Signed, titled & dated verso
Oil on canvas
Size: 28 ¼ x 17 1/8 ins
71.7 x 43.4 cms
Exhibited
Waddington Galleries, London, 1959, no. 36
Manchester City art Gallery, 1961, no. 22
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From Album: Wynter Bryan 1915-1975
14. Confluence I 1965
KEYWORDS: available Bryan Wynter
14. Confluence I 1965
BW 066
Signed, titled & dated verso
Oil on canvas
Size: 60 x 48 1/8 ins
152.3 x 122.2 cms
Exhibited
arts Council, Belfast, Bryan Wynter, 1966, no. 18
Waddington Galleries, London, Bryan Wynter, 1967, no.
1
Sheviock Gallery, Torpoint, 1969, no. 5
Bath Festival 1969, no. 60
Plymouth City art Gallery 1970, no. 91
New art Centre, London, Bryan Wynter, 1982
Matching descriptions:
BW 066
Signed, titled & dated verso
Oil on canvas
Size: 60 x 48 1/8 ins
152.3 x 122.2 cms
Exhibited
arts Council, Belfast, Bryan Wynter, 1966, no. 18
Waddington Galleries, London, Bryan Wynter,1967, no. 1
Sheviock Gallery, Torpoint, 1969, no. 5
Bath Festival 1969, no. 60
Plymouth City art Gallery 1970, no. 91
New art Centre, London, Bryan Wynter, 1982
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From Album: Wynter Bryan 1915-1975
15. Confluence-IV
KEYWORDS: available Bryan Wynter
15.Confluence IV 1965
BW 068
Signed, titled & dated verso
Oil on canvas
Size: 56 x 44 1/8 ins
142.2 x 112 cms
Exhibited
arts Council, Belfast, Bryan Wynter, 1966, no. 1
Matching descriptions:
BW 068
Signed, titled & dated verso
Oil on canvas
Size: 56 x 44 1/8 ins
142.2 x 112 cms
Exhibited
arts Council, Belfast, Bryan Wynter, 1966, no. 1
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From Album: Tibble Geofrey
Self Portrait
KEYWORDS: Not For Sale Geofrey Tibble
Self Portrait 1951
Signed; signed and dated verso
Oil on canvas
Size: 14 x 10 ins
35.5 x 25.5 cm
Exhibited:
Manchester City art Gallery, 1958, no. 60
Matching descriptions:
Self Portrait 1951
Signed; signed and dated verso
Oil on canvas
Size: 14 x 10 ins
35.5 x 25.5 cm
Exhibited:
Manchester City art Gallery, 1958, no. 60
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From Album: Tibble Geofrey
Trio
KEYWORDS: Not For Sale Geofrey Tibble
Trio 1950
Signed; signed & dated verso
Oil on canvas
Size: 36 x 28 ins
91 x 71 cm
Exhibited:
Manchester City art Gallery, 1958, no. 52
NFS
Matching descriptions:
6
Trio 1950
Signed; signed & dated verso
Oil on canvas
Size: 36 x 28 ins
91 x 71 cm
Exhibited:
Manchester City art Gallery, 1958, no. 52
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From Album: Tibble Geofrey
The Ladder
KEYWORDS: available Geofrey Tibble
The Ladder 1951
Signed; signed, titled & dated verso
Oil on canvas
Size: 22 x 16 ins
56 x 40.5 cm
Exhibited:
Manchester City art Gallery, 1958, no. 55
Matching descriptions:
9
The Ladder 1951
Signed; signed, titled & dated verso
Oil on canvas
Size: 22 x 16 ins
56 x 40.5 cm
Exhibited:
Manchester City art Gallery, 1958, no. 55
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From Album: Artfairs
art2001
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From Album: Artfairs
art2001_1
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From Album: Artfairs
art2001_2
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From Album: Artfairs
art2001_3
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From Album: Artfairs
art2001_4
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From Album: Artfairs
art2001_5
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From Album: Artfairs
art2001_6
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From Album: Artfairs
art2001_sm
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From Album: Artfairs
artlondon2001_1
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From Album: Artfairs
artlondon2001_1_sm
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From Album: Artfairs
art2001
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From Album: Artfairs
art2001_1
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From Album: Artfairs
art2001_2
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From Album: Artfairs
art2001_3
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From Album: Artfairs
art2001_4
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From Album: Artfairs
art2001_5
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From Album: Artfairs
art2001_6
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From Album: Artfairs
art2001_sm
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From Album: Artfairs
artlondon2001_1
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From Album: Artfairs
artlondon2001_1_sm
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From Album: Art Fairs
art2001
KEYWORDS: art2001
Business Design Centre 52 Upper Street
Islington
London N1 0QH
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From Album: Art Fairs
20 C British art Fair
KEYWORDS: 20 Century British art Fair
Royal College of art, Kensington Gore London SW7
Matching descriptions:
Royal College of art,
Kensington Gore London SW7
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From Album: Art Fairs
British-art-Fair2
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From Album: Art Fairs
British-art-Fair3
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From Album: Art Fairs
20/21 British art Fair
KEYWORDS: Royal College of art, Kensingston Gore,
London SW7
Royal Albert Hall
Matching descriptions:
Royal College of art,
Royal Albert Hall
Kensingston Gore,
London SW7
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From Album: Art Fairs
British-art-Fair5
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From Album: Art Fairs
artlondon 2002
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From Album: Art Fairs
artlondon 2002
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From Album: Art Fairs
artlondon 2002
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From Album: Art Fairs
artlondon 2004
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From Album: Art Fairs
artlondon 2004
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From Album: Art Fairs
artlondon 2004
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From Album: Art Fairs
artlondon 2004
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From Album: Art Fairs
artlondon 2004
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From Album: Art Fairs
artlondon 2004
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From Album: Armitage, Kenneth
Roly Poly, 1955
KEYWORDS: sold Kenneth Armitage
Roly Poly, 1955
KA 53, Bronze, Cast: Galizia 1955 artists proof
Height: 13 in / 33 cm
Lit: artists of our Time Zurich 1960
Kenneth Armitage Life and WorkIntro A. Bowness
Lund Humphries 1997 p 143 no 53
Matching descriptions:
KA 53,
Bronze,
Cast: Galizia 1955
artists proof
Height: 13 in / 33 cm
Lit: artists of our Time Zurich 1960
Kenneth Armitage Life and WorkIntro A. Bowness
Lund Humphries 1997 p 143 no 53
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From Album: Tibble, George
Conversation
KEYWORDS: sold Geofrey Tibble
Conversation - The artist’s Studio 1952
Dated verso
Oil on canvas
Size: 20 x 27 ins
51 x 69 cms
Matching descriptions:
2
Conversation - The artist’s Studio 1952
Dated verso
Oil on canvas
Size: 20 x 27 ins
51 x 69 cms
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From Album: Tibble, George
Garage
KEYWORDS: sold Garage 1950 Geofrey Tibble
Signed; signed, titled and dated verso
Oil on canvas
Size: 30 x 40 ins
76 x 101.5 cm
Exhibited:
Manchester City art Gallery, 1958, no. 53
Matching descriptions:
7
Garage 1950
Signed; signed, titled and dated verso
Oil on canvas
Size: 30 x 40 ins
76 x 101.5 cm
Exhibited:
Manchester City art Gallery, 1958, no. 53
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From Album: Tibble, George
The Cove
KEYWORDS: sold Geofrey Tibble
The Cove 1951
Signed; signed, titled and dated verso
Oil on canvas
Size: 30 x 20 ins
76 x 51 cms
Exhibited:
Manchester City art Gallery, 1958 no.59
Matching descriptions:
3 The Cove 1951
Signed; signed, titled and dated verso
Oil on canvas
Size: 30 x 20 ins
76 x 51 cms
Exhibited:
Manchester City art Gallery, 1958 no.59
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From Album: Hitchens, Ivon 1893-1979
Statue in Courtyard
KEYWORDS: Available
Statue in Courtyard circa 1959 Oil on canvas 33 x 60 in : 84 x 152 cm
A sculpted female torso in a studio interior was the subject of a painting shown
at Hitchens’ first solo exhibition in 1925. Fifty years later the presence of a statue in a landscape painting, lending it an extra dimension and mystery, still appealed to the artist (eg. A Sibylline Courtyard 1974 in the Courtauld Institute collection).
There is certainly an extra dimension of mystery in the present painting, since
the statue depicted in it is in fact based on a living model, while the river and buildings in the left half seem to be drawn from the imagination.
Laying aside the probably unanswerable question of sources, let us accept the painting for what it is: a complex and powerful composition which, somewhat against the odds, imposes itself on the imagination.
Both halves of the picture provide a welcome reminder of the too easily overlooked element of drawing in Hitchens’ work. On the left we get a rare glimpse of the detailed structure, or armature, that underlies the sweeping brushstrokes and patches of colour in most of his works; on the right an
example of his fluent and vital figure drawing, which can be seen in the many
ink or charcoal studies he made in preparation for his large mural paintings
in the 1950s and early ‘60s.
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From Album: Hitchens, Ivon 1893-1979
Foliage by Water no 3
KEYWORDS: Available
Foliage by Water no 3 1962 Signed lower right signed dated & inscribed on stretcher label Oil on canvas 17 1/2 x 58 1/4 in : 44 x 148 cm
Exhibited Tate Gallery Retrospective 1963 no 152
This painting and six others of the same subject were shown together at the
Tate retrospective of Hitchens’ work in 1963. They hung in the last room and
one wonders how many visitors, having already seen one hundred and fifty exhibits, will have had the patience and stamina to compare and contrast
these latest masterworks. Yet here was a rare opportunity to study Hitchens’ method, appreciate his aims, and marvel at his inventiveness.
Of the entire series of twelve paintings no 3 is the most daringly economical. The two competing focuses of interest are the sweeping arc on the left and the partially obscured blue diamond on the right. But even as one contemplates these simple geometries, the flat screens of colour, superimposed on one another, create space and recession: the arc becomes a tree-bordered
shoreline; in the background rises the barrier of a forest plantation; and above are the pale blue, thinly clouded skies of spring. A smaller arc, over the blue diamond, echoes the larger and sets up a rhythm. By such seemingly simple gestures Hitchens recreates his experience of a particular landscape while at the same time constructing an independently satisfying pattern on the canvas. Holding the two in equilibrium is Hitchens’ magical secret and the secret of
the painting’s perennial freshness and mystery.
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From Album: Hitchens, Ivon 1893-1979
Spring Mood no.3
KEYWORDS: Ivon Hitchens
sold
1 Spring Mood no 3 1933 Estate stamp verso Oil on canvas 28 x 40 in : 71 x 102 cm
Almost every painting in this exhibition is one of several versions or variations on a theme, whether it be still life or landscape. Hitchens’ interest was not so much in the subject itself as in the pictorial opportunities it offered. It was therefore natural that he should want to explore the different aspects of the subject in a series of paintings.
The subject of Spring Mood no 3 is a group of plants and flowers in pots and vases placed on a table in the artist’s Hampstead studio, with a view out of the window to distant rooftops. This is one of at least three treatments of the theme. (There are, in addition, two exquisite miniature versions, each measuring 6 x 7 ins, painted in the following year, 1934.) In Spring Mood nos 1 & 3 Hitchens is concerned with the bare bones of the composition: rhythm, line and colour-shape, while in no 2 he exploits contrasts of pattern and detail.
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From Album: Hitchens, Ivon 1893-1979
Dahlias and Yellow
KEYWORDS: sold
Dahlias and Yellow
Signed lower left, Signed dated and inscribed verso, Oil on canvas
Size 22 ½ x 43 ins / 57 x 109 cms
Provenance: Franklin Kissner New York
Exhibited: arti et Amicitiae Amsterdam 1994
Pallant House Gallery Chischester 1996
Matching descriptions:
Signed lower left,
Signed dated and inscribed verso,
Oil on canvas
Size 22 ½ x 43 ins / 57 x 109 cms
Provenance: Franklin Kissner New York
Exhibited: arti et Amicitiae Amsterdam 1994
Pallant House Gallery Chischester 1996
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From Album: Hitchens, Ivon 1893-1979
Persia
KEYWORDS: sold
Persia
Signed and dated lower right, Oil on canvas
Size 18 ½ x 56 ½ ins / 47 x 143.5 cms
Exhibited: Serpentine Gallery 1989 no 41
City Museum and art Gallery Hantley 1990
De la Warr Pavilion Bexhill-on-Sea 1997
Matching descriptions:
Signed and dated lower right,
Oil on canvas
Size 18 ½ x 56 ½ ins / 47 x 143.5 cms
Exhibited: Serpentine Gallery 1989 no 41
City Museum and art Gallery Hantley 1990
De la Warr Pavilion Bexhill-on-Sea 1997
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From Album: Hitchens, Ivon 1893-1979
KEYWORDS: Sold
IVON HITCHENS CBE
1893 - 1979
Picnic, Sizewell 1933
Oil on canvas
Estate stamp verso
20 1/2 x 30 ins 52 x 76 cms
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| Provenance: |
The artist1s estate
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Matching descriptions:
IVON HITCHENS CBE
1893 - 1979
Picnic, Sizewell 1933
Oil on canvas
Estate stamp verso
20 1/2 x 30 ins 52 x 76 cms
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| Provenance: |
The artist¹s estate
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From Album: Hitchens, Ivon 1893-1979
Ivon Hitchens
1893-1979
KEYWORDS: sold
Ivon Hitchens 1893-1979
Decoration for a Music Room 1933
Signed and dated, Tempera and silver leaf on canvas
Size: 80 1/2 x 65 1/2 ins
Provenance: artist's family
Exhibited: Alex Reid & Levevre 1933 no 32
Matching descriptions:
Decoration for a Music Room 1933
Signed and dated,
Tempera & silver leaf on canvas
Size: 80 1/2 x 65 1/2 ins
Provenance: artist's family
Exhibited: Alex Reid & Levevre 1933 no 32
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From Album: Wells, John
Matching descriptions:
7. Variations 1944
Pen, ink, pencil & tempera on board
Signed, numbered 73 / 3 & inscribed verso
7 x 10 ins 17.75 x 25.5 cms
Exhibited: Plymouth City art Gallery, Mackenzie, Mitchell, Wells,1975, no. 40
Newlyn Orion Gallery, Penzance, 1975, no. 1
During his visits to Carbis Bay Wells used to undertake long coastal
walks with Naum Gabo, during which Gabo collected pebbles or
bones and talked of their affinity with the constructive process.
Gabo’s sojourn in Cornwall appears to have confirmed a new
tendency to allow these natural sources into his work, perhaps
brought on by the state of the war and the means to which science
was being put in it. Wells responded to this romantically inspired
modernism through his own interest in natural phenomena and by
developing his own formal vocabulary to include a triangular ellipse
or pebble form. By presenting multiple aspects of a similar form
within the same picture and by drawing interior radiating lines to
define space, these works reference the contemporary crystal
drawings of Barbara Hepworth, an example of which Wells owned.
The use of areas of strong primary colour to indicate an interior
space in Variationsalso recalls the jewel like intensity of colour
used by Hepworth in her S culpture with Colour Deep Blue & Red,
1940 in the Tate collection.
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From Album: Wells, John
Matching descriptions:
12
Pageant 1947-8
Oil on board
Signed, numbered 85/ 8 & inscribed verso
9 x 11 3/4 ins 23 x 30 cms
Exhibited:
Lefevre Gallery, London, 1946, no. 41
Crypt Group, St Ives, 1946, no. 47
Newlyn Orion Gallery, Penzance, 1985
This painting is a reworking of the earlier painting, Nuclear Dance
dated 1945. From the backboard it would appear that Nuclear
Dance was originally the other way up so that the composition read
with a straight horizon line towards the lower quarter of the board.
Typical keel like forms and thrusting chevrons topped with balancing
triangles, when read in this way, are suggestive of a musical notation
almost gently rocking across the composition. Pageant, created over
the top of Nuclear Dance three years later, inverts the image and
stacks the forms on a series of points topped with acute angled
shapes akin to flags or pennants, that create a more staccato
rhythm.
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From Album: Wells, John
Matching descriptions:
13
Homage to Naum Gabo 1948
Oil on canvas
Signed, dated, numbered 73 / 2 & inscribed verso
16 x 20 ins 40.5 x 51 cms
Exhibited:
Penwith Society, St Ives, 1973
Plymouth City art Gallery, Mackenzie, Mitchell, Wells 1975, no 44
Tate St. Ives Retrospective,1998, no. 25
The title Homage to Naum Gaboappears to be Wells’ later
addition to this work which is listed as Painting 1948 (Gaboid)on the
artist’s card index system. Following Gabo’s departure from
St. Ives to travel to America in November 1946, Wells and Lanyon,
the two artists owing the most to his instruction and advice, formed
a close friendship, working through and discussing ideas together.
Throughout the late 1940s Wells continued to make and exhibit
three-dimensional constructions whilst his painted work developed
a more plastic sculptural quality. This composition is one of Wells’
most ambitious creations, combining a sense of lateral motion and
recessional depth for the fractured form that also alludes to the
material quality of Perspex, with radiating lines inscribed into the surface.
The use of the dense green as a textured background may refer
back to Gabo’s first paintings made in St. Ives, which used similar
tones, but it also helps place the object against an organic, natural
environment as if we are glimpsing some elemental force within the
landscape.
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From Album: Wells, John
Matching descriptions:
17
Village 1948
Oil & pencil on canvas laid on board
Signed, dated, numbered 87/ 17, studio stamped & inscribed verso
11 x 15 1/4 ins 27.5 x 38.5 cms
Wells worked as an assistant to Barbara Hepworth from 1949-51,
notably on her series of monumental figurative sculptures of the
period including Cosdon Head, 1949 in the Birmingham City art
Gallery Collection These works combined Hepworth’s interest in
pure abstraction with her figure drawings of the preceding few years.
Many of her works involved two figures presented together, either
the same figure for different viewpoints or entwined in some way.
Wells at this time developed an interest in incorporating heads and
figures within landscape forms as symbolic of man’s interaction with
nature. This rare linear study is also related to a series of etchings
made at this time.
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From Album: Wells, John
Matching descriptions:
18
Figures 1950
Pen, ink & watercolour on paper
Studio stamp & figure drawing verso
7 x 7 ins 18 x 18 cms
Wells worked as an assistant to Barbara Hepworth from 1949-51,
notably on her series of monumental figurative sculptures of the
period including Cosdon Head, 1949 in the Birmingham City art
Gallery Collection These works combined Hepworth’s interest in
pure abstraction with her figure drawings of the preceding few years.
Many of her works involved two figures presented together, either
the same figure for different viewpoints or entwined in some way.
Wells at this time developed an interest in incorporating heads and
figures within landscape forms as symbolic of man’s interaction with
nature. This rare linear study is also related to a series of etchings
made at this time.
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From Album: Roberts, William 1895-1980
KEYWORDS:
WILLIAM ROBERTS RA, LG
1895 - 1980
The Bathers c.1925
Oil on canvas
Signed lower right
20 x 16 1/4 ins 50.75 x 41.25 cm
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| Provenance: |
Nora Meninsky
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| Exhibited: |
Fine art Associates, London, The Avante-Garde in
Britain 1910-1960, 1988, no.4
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Matching descriptions:
WILLIAM ROBERTS RA, LG
1895 - 1980
The Bathers c.1925
Oil on canvas
Signed lower right
20 x 16 1/4 ins 50.75 x 41.25 cm
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| Provenance: |
Nora Meninsky
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| Exhibited: |
Fine art Associates, London, The Avante-Garde in
Britain 1910-1960, 1988, no.4
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From Album: Piper , John CH LS 1903-1992
John Piper L.G, CH 1903-1992
KEYWORDS: John Piper L.G, CH 1903-1992
Painting-8 1935
Signed verso and dated 1935
Oil & ripolin on cavas laid on panel
12 x 19 ins
Exhibited:
Marlborough art in Britain 1930-1940 centred
around Axis Circle Unit 1 cat. no: 135, illus. p.74
Matching descriptions:
Painting-8 1935
Signed verso and dated 1935
Oil & ripolin on cavas laid on panel
12 x 19 ins
Exhibited:
Marlborough art in Britain 1930-1940 centred
around Axis Circle Unit 1 cat. no: 135, illus. p.74
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From Album: Sutherland, Graham 1903-1980
artichokes 1951
KEYWORDS: Sold
GRAHAM SUTHERLAND
1903-1980
artichokes 1951
Oil on canvas
10 3/8 x 7 1/4 ins - 26 x 18.5 cm
Exhibited:
Waddington Galleries
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From Album: Lanyon, Peter 1918-1964
Peter Lanyon
1918-1964
KEYWORDS: sold
Peter Lanyon 1918 - 1964
Construction in Green 1947
Signed and dated lower right
Signed, dated and inscribed,verso
11 3/4 x 16 ins - 30 x 40 1/2 cm
Provenance:
Sheila Lanyon
Exhibited:
Crypt Group St. Ives, 1948, no. 47;
Lefevre Gallery, 1949, no. 44;
arts Council of Great Britain, 1968, no. 13
Literature:
A. Causey, Peter Lanyon, Aidan Ellis, p. 44, no. 13, pl. 6;
A. Lanyon, Peter Lanyon, 1990, p. 80, illus
Matching descriptions:
Construction in Green 1947
Signed and dated lower right
Signed, dated and inscribed,verso
11 3/4 x 16 ins - 30 x 40 1/2 cm
Provenance:
Sheila Lanyon
Exhibited:
Crypt Group St. Ives, 1948, no. 47;
Lefevre Gallery, 1949, no. 44;
arts Council of Great Britain, 1968, no. 13
Literature:
A. Causey, Peter Lanyon, Aidan Ellis, p. 44, no. 13, pl. 6;
A. Lanyon, Peter Lanyon, 1990, p. 80, illus
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From Album: Lanyon, Peter 1918-1964
KEYWORDS: Sold
PETER LANYON
1918 - 64
Airoundland 1961
Oil on board, wood & copper
34 1/2 x 33 1/2 x 1 ins
87.5 x 85 x 2.5 cm
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| Provenance: |
Estate of the artist
S. Lanyon |
Matching descriptions:
Available
Available
PETER LANYON
1918 - 64
Airoundland 1961
Oil on board, wood & copper
34 1/2 x 33 1/2 x 1 ins
87.5 x 85 x 2.5 cm
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| Provenance: |
Estate of the artist
S. Lanyon |
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From Album: Nicholson, Ben 1894-1982
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson 1894-1982
Nude c 1932
Pencil on paper
16 x 14 ins
Provenance:
artist's Estate
Exhibited:
Waddington Gallerie
Matching descriptions:
Nude c 1932
Pencil on paper
16 x 14 ins
Provenance:
artist's Estate
Exhibited:
Waddington Gallerie
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From Album: Nicholson, Ben 1894-1982
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson (1894 - 1982)
Jenny Wren 1925
Signed, dated and inscribed on overlap Ben Nicholson 1925 Jenny Wren for
Tim & Charlotte.
Oil on canvas mounted
on panel.
38 x 47 cm (15 x 181/8 in).
Provenance: Wilfrid Roberts; Waddington Galleries, London.
Exhibited: Cambridge, Kettles Yard Gallery, Ben Nicholson: The Years of Experiment
1919-39, July 1983-January 1984, arts Council Touring Exhibition, no.17, illus.;
Tokyo, Fuji Television Gallery, 25 March-11 April 1986,
no.1 illus.
Matching descriptions:
Jenny Wren 1925
Signed, dated & inscribed on overlap
Ben Nicholson 1925 Jenny Wren for
Tim & Charlotte
Oil on canvas mounted on panel
15 x 18 1/8 ins - 38 x 47 cm
Provenance:
Wilfrid Roberts; Waddington Galleries, London
Exhibited:
Cambridge, Kettles Yard Gallery, Ben Nicholson: The Years of
Experiment 1919-39, July 1983-January 1984,
arts Council Touring Exhibition, no.17, illus.;
Tokyo, Fuji Television Gallery,
25 March-11 April 1986,
no.1 illus
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From Album: Nicholson, Ben 1894-1982
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson
1894-1982
Nudes c. 1934
Double-sided drawing
Pencil and yellow wash
Size: 13 1/4 x 19 3/4 inches
Provenance
artist¹s Estate
Private collection England
Matching descriptions:
Nudes c. 1934
Double-sided drawing
Pencil and yellow wash
13 1/4 x 19 3/4 ins
Provenance:
artist¹s Estate
Private collection England
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From Album: Nicholson, Ben 1894-1982
Ben Nicholson
1894-1982
KEYWORDS: Ben Nicholson 1894-1982
Decanter, Goblet and Jug c 1981
Monogrammed and dated verso,
Pen, ink & oil gessoed canvas laid on board,
17 x 18 ins - 43 x 45 1/2 cm
Provenance:
artist's Estate
Exhibited:
Waddington Galleries
Matching descriptions:
Decanter, Goblet and Jug c 1981
Monogrammed and dated verso,
Pen, ink & oil gessoed canvas laid on board,
17 x 18 ins - 43 x 45 1/2 cm
Provenance:
artist's Estate
Exhibited:
Waddington Galleries
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From Album: Wood, Christopher 1901-1930
Christopher Wood
1901-30
KEYWORDS: sold
Christopher Wood (1901-30)
Nude 1928
Signed and titled verso.
Oil on canvas.
73 x 50 cm (283/4 x 193/4 in).
Provenance: Lucy Carrington Wertheim; Mercury Gallery.
Exhibited: Newlyn Orion art Gallery, Penzance, Christopher Wood: The Last Years, 1989, no.6.
Matching descriptions:
Nude 1928
Signed and titled verso
Oil on canvas
28 3/4 x 19 3/4 ins - 73 x 50 cm
Provenance:
Lucy Carrington Wertheim; Mercury Gallery
Exhibited:
Newlyn Orion art Gallery, Penzance, Christopher Wood: The Last Years, 1989, no.6
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From Album: Nicholson, Winifred 1893-1981
Winifred Nicholson
1893-1981
KEYWORDS: sold
Winifred Nicholson 1893-1981
Green Helebore c 1948
Oil on board, Size: 24 x 24 ins
Provenance: Countess of Moray
Exhibited: City of Bradford art Gallery and Museums 1955
Matching descriptions:
Green Helebore c 1948
Oil on board,
Size: 24 x 24 ins
Provenance: Countess of Moray
Exhibited: City of Bradford art Gallery and Museums 1955
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From Album: Hepworth, Dame Barbara 1903-1975
Dame Barbara Hepworth
1903-1975
KEYWORDS: sold
Dame Barbara Hepworth
1903-1975
Small Form (Head ) April 1962
Alabaster
Height: 10 1/2 inches (inc. base)
Provenance:
Bernard and Janet Leach
Exhibited:
Whitechapel art Gallery, Barbara Hepworth
Retrospective 1952 - 1962, 1962, no. 74;
Tate Gallery, Barbara Hepworth Retrospective
1927 - 1967, 1968, no. 125
Literature: A. Bowness, The Complete Sculpture of
Barbara Hepworth, Lund Humphries, 1971, p. 33, no. 317
Matching descriptions:
Small Form (Head ) April 1962
Alabaster
Height: 10 1/2 inches (inc. base)
Provenance:
Bernard and Janet Leach
Exhibited:
Whitechapel art Gallery, Barbara Hepworth
Retrospective 1952 - 1962, 1962, no. 74;
Tate Gallery, Barbara Hepworth Retrospective
1927 - 1967, 1968, no. 125
Literature:
A. Bowness, The Complete Sculpture of
Barbara Hepworth, Lund Humphries, 1971, p. 33, no. 317
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From Album: Auerbach, Frank b. 1931
Frank Auerbach
b. 1931
KEYWORDS: sold
FRANK AUERBACH
b. 1931
Julia 1960
Dated
Charcoal & pastel on
paper with collage
29 3/4 x 22 ins
75 x 55 cm
Provenance:
Sebastian Walker
Richard Salmon
Exhibited:
Marlborough Fine art
Matching descriptions:
Julia 1960
Dated
Charcoal & pastel on
paper with collage
29 3/4 x 22 ins - 75 x 55 cm
Provenance:
Sebastian Walker
Richard Salmon
Exhibited:
Marlborough Fine art
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From Album: Hilton, Roger
March 1956 Liver, Black & White
KEYWORDS: Sold
ROGER HILTON CBE
1911 - 1975
March 1956 Liver, Black & White
Signed twice, dated & inscribed verso
Oil on canvas
44 1/8 x 33 7/8 ins 112 x 86 cms
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| Provenance: |
The artist1s estate;
Waddington Galleries, London
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| Exhibited: |
British Council, Recent Paintings by Seven British artists, Australia, 1959, no.34 |
Matching descriptions:
Oil on canvas
44 1/8 x 33 7/8 ins 112 x 86 cms
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| Provenance: |
The artist1s estate;
Waddington Galleries, London
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| Exhibited: |
British Council, Recent Paintings by Seven British artists, Australia, 1959, no.34 |
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From Album: Hilton, Roger
48. December 1967
KEYWORDS: available
48. December 1967
Signed and dated verso
Oil and charcoal on canvas
24 x 20 ins / 61 x 51 cms
Exhibited New art Centre, Oxford Gallery
Gallery Gion Sanyo Kyoto Japan
Waddington Galleries
Adelson Galleries New York
Matching descriptions:
Signed and dated verso
Oil and charcoal on canvas
24 x 20 ins / 61 x 51 cms
Exhibited:
New art Centre,
Oxford Gallery
Gallery Gion Sanyo Kyoto Japan
Waddington Galleries
Adelson Galleries New York
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From Album: Hilton, Roger
14. February 1955
KEYWORDS: available
14. February 1955
Signed and dated verso, Oil on canvas
36 x 30 ins / 91.5 x 76 cms
Exhibited New art Centre
Waddington Galleries
Matching descriptions:
Signed and dated verso
Oil on canvas
36 x 30 ins / 91.5 x 76 cms
Exhibited:
New art Centre
Waddington Galleries
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From Album: Hilton, Roger
32 Nude circa 1962
KEYWORDS: 32 Nude circa 1962
Oil and charcoal on canvas
36 x 30 ins / 91.5 x 76 cms
Prevenance: Sandra Blow, D H Simon
Exhibited: New art Centre
Waddington Galleries
Matching descriptions:
Oil and charcoal on canvas
36 x 30 ins / 91.5 x 76 cms
Prevenance:
Sandra Blow, D H SimonExhibited:
New art Centre
Waddington Galleries
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From Album: Hilton, Roger
11. Nude circa 1970
KEYWORDS: 11. Nude circa 1970
(Two Nudes verso)
Charcoal and coloured chalk on paper
9 1/2 x 12 1/2 ins / 24 x 32 cms
Exhibited New art Centre
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From Album: Hilton, Roger
24. October 1960
KEYWORDS: 24. October 1960
Signed and dated verso , Oil and charcoal on canvas
52 x 55 ins / 132 x 140 cms
Exhibited: Serpentine Gallery 1974 no 48
Scottish arts Council 1974 no 30
Waddington Galleries
Matching descriptions:
Signed and dated verso,
Oil and charcoal on canvas
52 x 55 ins / 132 x 140 cms
Exhibited:
Serpentine Gallery 1974 no 48
Scottish arts Council 1974 no 30
Waddington Galleries
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